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Things 35: Lovefilm, People of the Screen, Chicken Head

(Originally sent December 2008)

I joined LoveFilm last week, mainly so I would know what I was talking about when giving a presentation to them on what I think they should be doing. It turns out they already do a lot of what I had first thought of so I knew to leave that out, and during the presentation I found out that they are planning to do a lot of the stuff I thought of too.

In other words, they do a lot of stuff that I think is good, and are going to do more. My name is Tim Mannveille and I endorse this message.

My Lovefilm profile is here so you can see what I’m doing with the service, and here is my referral link that gives you a 1 month free trial and me a referral bonus!

Films
So, I still don’t have time to see enough films for a Cineworld Unlimited card to be worth it, but the LoveFilm £3.99/month for 2 DVDs is about right. So this week I saw The City of Lost Children, by much the same team as Delicatessen and Amelie. It was visually incredible, inventive and dreamlike, as expected.

IMDb: 7.8/10
RT: 82%

Trailer viewable over at Lovefilm.

A link
While researching quite what is possible in terms of tracking mobile phones, I stumbled upon a bit of real life drama on Google Answers. “I’m trying to locate a friend who has gone missing and may be in a lot of trouble…”

A [long] Quote:
Kevin Kelly knows what he is talking about, and wrote an understated but amazing piece for the NY Times recently. A choice excerpt:

“When technology shifts, it bends the culture. Once, long ago, culture revolved around the spoken word. The oral skills of memorization, recitation and rhetoric instilled in societies a reverence for the past, the ambiguous, the ornate and the subjective.

Then, about 500 years ago, orality was overthrown by technology. […] The distribution-and-display device that we call printing instilled in society a reverence for precision (of black ink on white paper), an appreciation for linear logic (in a sentence), a passion for objectivity (of printed fact) and an allegiance to authority (via authors), whose truth was as fixed and final as a book. In the West, we became people of the book.

Now invention is again overthrowing the dominant media. A new distribution-and-display technology is nudging the book aside and catapulting images, and especially moving images, to the center of the culture. We are becoming people of the screen.”

A Video
Well, this week’s Things has been very serious so far, so it’s time for a video of someone moving a chicken around while the chicken holds its head incredibly still:

httpv://www.youtube.com/watch?v=_dPlkFPowCc

A Puzzle
Last week I asked people to guess why the search term ‘uncertainty’ showed such an odd annual trend. The most likely explanation seems to be students searching for Heisenberg’s uncertainty principle – if you put other terms students might be looking up into Google trends, you see the same annual trend cropping up. [Google Insights for Search also helps as it reveals what people tend to actually be looking for when searching for a given search term – T.M. 2/1/11]

This week, the question is: why do chickens keep their heads so still?

Pictures
It still feels like I’m taking Things too seriously, so here’s an article with pictures of loos with the best views.

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Things 94: Black Swan, Vampire Squid, Stock Market Returns

Video
I saw Black Swan recently and recommend it to anyone that likes the look of the trailer, so long as you’re not squeamish as that’s a whole side of the movie the trailer skims over:

httpv://www.youtube.com/watch?v=5jaI1XOB-bs

With a reported production budget of $13m (which, as I never tire of telling people, would be just enough to cover Tron Legacy’s costume budget, and was also so restrictive that Natalie Portman opted to forego her trailer in order to afford an on-set medic), I was particularly fascinated by the beautifully subtle (and some not-so-subtle) digital effects they nonetheless managed to achieve. Most excellently, you can see a showreel of how these effects were put together on Look Effects’ website, although if you haven’t seen the film you should steer well clear as it will completely ruin the film for you.

Links
Have Instapaper or Read It Later at the ready because I’m about to flag up some serious long-form content. I don’t think it was available online when it was first published, but you can now read Matt Taibbi’s dilligently researched yet seething explanation of quite what Goldman Sachs does over at Rolling Stone, in which he memorably begins:

The world’s most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money.

Over a year later even publications like The Week will casually refer to them as “Giant vampire squid Goldman Sachs”, which is I think excellent. It’s long, but well worth it, and it has a great twist ending.

As a nice follow-up (or much shorter way of cutting to the heart of the matter), Charlie Stross explains how we got to this point. Or if you want the whole thing in one pithy excerpt:

Corporations have a mean life expectancy of around 30 years, but are potentially immortal; they live only in the present, having little regard for past or (thanks to short term accounting regulations) the deep future: and they generally exhibit a sociopathic lack of empathy.

I think the way we tend to automatically expect groups of humans to behave like individual humans is one of the most disastrous mistakes we make on a daily basis.

Puzzle
All ovens that I’ve seen have some kind of temperature ‘input’ dial, but why do so few have any kind of readout of the actual internal temperature, to the point that there is a market for independently purchased oven thermometers? Shouldn’t market forces guide the manufacturers to include such a feature themselves?

Picture
I see a lot of data visualisations that make me angry because they do little more than treat data as almost random input for some kind of procedural image generation process (which is actually very cool when it doesn’t claim to be something it isn’t). This New York Times visualisation of stock market returns over the past 90 years, on the other hand, is actually quite practical at giving you both an overall sense of the patterns while still making each data point quite clear.

I'd just like to make it clear that I'm using the 'ragged edge' functionality of FS capture to show that this is only part of the image. A while ago, when everyone at work had just got in to FS Capture, it was used on just about every image you saw. Those were dark days.

Last Week’s Puzzle
Last week I asked why we seem to be so intolerant of variation in things like driving speed or grammar pedantry.

Angela suggests it’s all to do with herd instinct:

We are constantly (often subconsciously) comparing ourselves with others around us and balancing the desire to fit in (be part of the herd) with our desire to ‘self-express’ (stand out). Even small differences between us and others in the herd could potentially threaten us if they lead us to be ostracised or confer upon others some advantage in terms of survival or reproduction. I think that’s one of the reasons we a) notice and b) are so perturbed by even slight differences – they could signify a real risk to our deepest interests.

I think that’s part of the answer, although it doesn’t explain why we’re more tolerant of a lot of other things, or at least tolerant of variation in one direction (such as how we judge others’ use of free time).

I initially thought it covered those particular areas of life because we recognise them as prisoner’s dilemma / tragedy-of-the-commons areas, where a few people taking the easy way risk leading society to a collectively suboptimal Nash equilibrium.

However, I now think there’s two separate factors at work. In driving, even slight differences in speed add up to one car overtaking another, which we can’t help but read as a social signal that one is ‘doing it wrong’ (and we see the same thing with walking speed).

On the other hand, things like specific bits of grammar pedantry or household hygiene fall into a category of behaviours drummed into us as children, which we then cling on to tenaciously through a combination of Anchoring and Status Quo Bias. Deviation from these things is more on a sub-task basis (“I can’t believe they don’t clean their skirting boards!”) rather than a spectrum, as we adhere to whichever specific rules we were taught.

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Things 34: Uncertainty, Cat on Roomba, Lemurs

(Originally sent November 2008)

Welcome to Things, a weekly email I send around with stuff that I have found or dug out from my archives. This week some new people have been added to the list, so it is now going out to:

6 people at RAPP
2 people that used to be at RAPP
3 members of my family
1 other cool person
1 me

The default is for everyone to receive Things privately. If you are happy to receive it on a CC list so that you can reply-to-all and discuss the contents with similarly interested people, let me know – so far two people from the above list are doing that.

Anyway, on to the Things.

Films
If I had time to see any film this coming week it would be Waltz with Bashir, which apparently breaks new ground both as an animation and as a documentary. (From the trailer it doesn’t actually seem to take rotoscoping much further than Richard Linklater already has with Waking Life and A Scanner Darkly, but it’s still cool).

IMDb: 8.1/10
Rotten Tomatoes: 91%

Trailer:

httpv://www.youtube.com/watch?v=ylzO9vbEpPg

A link
The McCollough effect is a brilliant optical illusion effect which remains unexplained. Try it out here.

A quote
Tycho, Penny Arcade:

“Innovations are just gimmicks you happen to like.”

Last week’s puzzle
Last time I asked that if regular slow zombies represent the inevitability of death, what do fast zombies represent?

My personal answer is that fast zombies are just a distillation of our worst fears about other people – reduced to pure irrational rage and threat. It also unlocks a primal desire to defend yourself with violence, and by reducing other people to zombies we need not feel guilt about doing violent things to them. (Compare Carmageddon, a game in which the aim was to run people over, but since this was considered unacceptable by the ratings board the people were replaced by zombies).

This week’s puzzle
This week, it’s a graph puzzle. Take a look at the trend in search volume for the word ‘Uncertainty’:

It follows a clear annual trend. Why is that?

A Video
A cat riding on a Roomba, which is an autonomous vacuum cleaning robot. Interestingly, 2 out of the 12 people receiving this email own such a device.

httpv://www.youtube.com/watch?v=LQ-jv8g1YVI

Pictures
Google is now hosting the photographic archive from LIFE magazine, including photos that never made it into print. So far they have put up 2 million of an anticipated 10 million images at pleasingly high resolution. You can also buy a print of any image you like, for an only slightly exorbitant cost.

As with all new resources, I tested it out by seeing what it had on lemurs. The answer is: lots. It turns out that from page 2 onwards almost all of the results come from a brilliant photo shoot revolving around a family that has a pet lemur.

Categories
New

Things 93: Wormworld Saga, Newton and Pascal, Idiots and Maniacs

Link
If you like webcomics, or just enjoy seeing examples of excellent use of light in digital paintings, do check out the first chapter of Wormworld Saga.

Joke
Einstein, Newton and Pascal decide to play hide and seek. Einstein is it, closes his eyes, counts to 10 then opens them. Pascal is no where to be seen. Newton is sitting right in front of Einstein, with a piece of chalk in his hand. He’s sitting in a box drawn on the ground, a meter to a side. Einstein says “Newton, you’re terrible, I’ve found you!” Newton says “No no, Einy. You’ve found one Newton per square meter. You’ve found Pascal.”

Puzzle
This sprang out of the discussion on language pedantry last week on the RAPP CC list.

In “Eats, Shoots and Leaves” Lynne Truss makes the following observation:

Yes, as Evelyn Waugh wrote: “Everyone has always regarded any usage but his own as either barbarous or pedantic.” Or, as Kingsley Amis put it less delicately in his book The King’s English (1997), the world or grammar is divided into “berks and wankers” – berks being those that are outrageously slipshod about language, and wankers those who are (in our view) abhorrently over-precise.

A similar observation in a different field is attributed to George Carlin:

Have you ever noticed that anybody driving slower than you is an idiot, and anyone going faster than you is a maniac?

It seems to me that grammatical precision and driving speed fall into a very particular category of behavioural spectra in which we seem to be highly critical of others who vary from our own view in one direction or the other, even slightly. Other examples I’ve observed being described in a similar way and heard people comment on with varying degrees of politeness are alcohol consumption, smartness of dress, household cleanliness, and various aspects of personal hygiene.

The question is, what is it about these behaviours that makes us so sensitive to differences?

Picture
I’m not at all sure this diagram works fully, but I like it a lot anyway: